Frozen Toes
Big bad cold front hit Illinois over the weekend, turning my house into an ice box. The floor, especially, is ice cold. I've been doing what I can to keep working on my various projects while avoiding frost bite. Funfunfun.
Boolah and I caught "Pan's Labrynth" over the weekend. Great flick. My only complaints are that it was a little slow, and I wish there were more sequences in Pan's World. Other than that, very cool, very dark flick, and the scene with the dude with no eyes was worth the price of admission alone. Check it out if you get a chance.
Boolah also loaned me a copy of the first "DMZ" trade. I can see why people dig the book, it's good. Not really my cup of tea, but good nonetheless. The two biggest complaints I had were with the amount of content and some storytelling problems. Content wise, the book felt short. Not sure how many issues were in the trade, but I read the whole thing in about a half hour, while watching TV. And I'm not a very quick reader. Storytelling wise, I got lost on a number of panels throughout the book. Some of the blame could be placed on the colors, which are intentionally murky, and partly on the art, which can confusing, especially since most of the characters are wearing similiar clothes. This is just further proof of my argument that Storytelling is the Great Lost Art Form of the Comics Medium. Anyway, if you're into urban warfare, journalism, or deep seated politic meditations, check out DMZ.
Boolah and I caught "Pan's Labrynth" over the weekend. Great flick. My only complaints are that it was a little slow, and I wish there were more sequences in Pan's World. Other than that, very cool, very dark flick, and the scene with the dude with no eyes was worth the price of admission alone. Check it out if you get a chance.
Boolah also loaned me a copy of the first "DMZ" trade. I can see why people dig the book, it's good. Not really my cup of tea, but good nonetheless. The two biggest complaints I had were with the amount of content and some storytelling problems. Content wise, the book felt short. Not sure how many issues were in the trade, but I read the whole thing in about a half hour, while watching TV. And I'm not a very quick reader. Storytelling wise, I got lost on a number of panels throughout the book. Some of the blame could be placed on the colors, which are intentionally murky, and partly on the art, which can confusing, especially since most of the characters are wearing similiar clothes. This is just further proof of my argument that Storytelling is the Great Lost Art Form of the Comics Medium. Anyway, if you're into urban warfare, journalism, or deep seated politic meditations, check out DMZ.

